![]() ![]() This gives the ability to really control the monitoring for individual musicians during a session, where the drummer doesn’t want to hear the guitars, or just the bass, while the guitarist doesn’t want to hear the bass at all, for example. You also get two dedicated rear-panel main left/right outputs with level control, muting, and mono summing for control room monitoring. For headphone or monitoring outputs, the outs on the front are for headphones, while the eight on the rear are lines outs. ![]() It connects to the computer via USB 3.0, with mic/instrument combo inputs on the front, and 6 mic/line combo inputs on the back. Think of the Studio 192 as the brains of the operation. ![]() But, paired with their DigiMax DP88 8-channel mic pre add-on, it offers up an expansion of tracks without any hassle. PreSonus has unleashed their Studio 192 USB audio interface, which on its own is great. But as music grows so should the ability to build upon the hardware, not having to get various devices to interact in a method of linking that would make Doc Brown cringe. There are A LOT of options when it comes to USB audio interfaces. The PreSonus Studio 192 USB Interface and DigiMax DP88 8-Channel Mic Pre make for a one-two punch when it comes to a great I/O combo for your home or commercial studio. ![]()
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